For this blog assignment, please write an interpretation of Emily Dickinson's poem "I dwell in possibility" (#466). But here's the catch: the interpretation must be based on the functions of the em-dashes within the poem. Of course, you're still writing on diction and poetic devices, but they must be presented in concert with her em-dashes.
300 words or up. Please post by 10am Monday.
American-Litter-a-Terre
Thursday, December 1, 2011
Detective Fiction Evolution and Market Forces
Follow this link to a truly fascinating and original piece of literary scholarship by Franco Moretti, in which he assembles research on and subsequently hypothesizes about the evolution of detective fiction.
The article title is "The Slaughterhouse of Literature."
Tuesday, November 15, 2011
Blog for Friday, November 18th
With Frederick Douglass and Harriet Beecher Stowe, we have two of the most significant American literary figures writing the way out of slavery. Yet, these two texts are very different in their literary mode, authors’ life experiences of slavery, and intended audience. For this blog, I want you to focus just on how the texts work and not discuss biography. Please write 250-300 words to make two comparisons. Each comparison should have one passage from Douglass and one from Stowe. Each comparison will do close reading work on both passages involved. This is not a preference exercise of one over the other, but an articulation of divergent approaches to the same issue. (As an example, you might pick passages that engage with gender, family/children/parents, Christianity and slavery, and, yes, animals…)
Post the blog by 10am Friday.
Post the blog by 10am Friday.
Wednesday, November 9, 2011
Yelping with Cormac McCarthy
Cormac McCarthy is one of the most important living American novelists, and really one of the most important American novelists of all time. More subjectively, I recommend Blood Meridian as his best. The Road was popular, but cannibals roasting babies isn't really my deal. And his novel Child of God was recommended to me by a female scholar from the Czech Republic--she told me she reads it every Christmas day. Now, I would not recommend that...
Follow this link to a humorous writer imagining if Cormac McCarthy wrote Yelp reviews.
Follow this link to a humorous writer imagining if Cormac McCarthy wrote Yelp reviews.
Monday, November 7, 2011
Nimble, lithe fingers
I also wanted to draw attention to Harding Davis as part of a tradition of social reform literature and thought that focuses on industrialization's marks on women, children, and the family structure. We noted the absence of a functioning family, and in this story Hugh and the other men do have work, but in different areas than the women. Note how the men work on the fires, but the women work on the production side of the mills. As industrial machinery became increasingly self-governing and alternately powered, men disappeared from many industrial scenes. We'll take this up more on Friday.
Knickknackery
I really do like the book-ending of these objects--the soot-coated angel and the korl woman kept behind a curtain--and had hoped also to attend to the bit at the story's end where Harding Davis writes, "The gas-light wakens from the shadows here and there the objects which lie scattered through the room...homely fragments, in which lie secrets of all eternal truth and beauty. Prophetic all!"
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